In 1956, the application of Australian historian Russel Ward for a lecturing position at the newly renamed University of NSW was rejected.
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He had been blackballed for his political beliefs, including his membership of the Communist Party.
Ward had, UNSW Vice Chancellor J. P. Baxter told council, been “active in seditious circles in Canberra”. The decision to not appoint Ward despite the unanimous recommendation of the selection committee created controversy.
Max Hartwell had been a member of the selection committee. Born at Red Range near Glen Innes where his father was school teacher, Hartwell had studied at the New England University College where he was a member of the first rugby union side in 1939.
Hartwell was now Professor of Economic History at UNSW. His political views were diametrically opposed to Ward’s Marxist world view, but he liked and respected Ward and was outraged by the decision.
The result was a very public spat culminating in Hartwell’s resignation from UNSW and, subsequently, his move to Oxford.
In 1957, to Ward’s surprise, he received a telegram offering him a lectureship at the University of New England. He would spend the rest of his academic life at UNE.
Ward’s PhD thesis, his “thing” as he described it in his autobiography, was on “The Ethos and Influence of the Australian pastoral Worker”. In writing, Ward drew very heavily from Australian folk songs and ballads. He did not believe that they were in themselves accurate history, rather that they captured ethos and sprit.
Ward had, UNSW Vice Chancellor J. P. Baxter told council, been 'active in seditious circles in Canberra'.
Ward’s research drew him into the nascent folk revival that was taking place, especially in Sydney with its musical, literary and political threads. Then, in 1958, Ward published The Australian Legend, arguably the first major work on the Australian folk tradition since Banjo Paterson’s 1905 Old Bush Songs.
The Australian Legend had a major impact and remains in print today. Among other things, it popularised the Australian folk tradition, if with a very particular focus.
Ward retained his interest in Australian folk music and folk traditions. However, changes were also taking place that would blunt both his influence and the Australian folk revival.
One change was the broader nature of the folk revival itself, including overseas influences such as Peter. Paul and Mary. A second change was the emergence of new popular musical forms including rock and roll, the Beatles and the rise of American influenced country music. There were shifts as well in the study of history itself as new topics and fashions emerged.
Russel’s influence did continue. We now come to a new stage in the story, one in which New England researchers and performers take centre stage.
Jim Belshaw’s email is ndarala@optusnet.com.au. He blogs at http://newenglandaustralia.blogspot.com.au/ (New England life) and http://newenglandhistory.blogspot.com.au/ (New England history)
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